The tent helped Emin become a well-known artist, though her outspoken and often drunken pronouncements like: "I got a reputation not just of being a slag but of being a devious slag" also helped. This piece by Emin also known as ‘The tent,’ was created by appliqueing everyone’s names she had ever slept with, on the inside walls of a tent. Much like her earlier piece, Everyone I Have Ever Slept With 1963-1995, Emin claims that she would never have a bed like the one of her most infamous art installation presently. One of the most derided and variously received works of the 1990s, Everyone I Have Ever Slept With 1963–1995 was controversial because of its sexual subject matter, although, as the artist explained, that was only part of the concept of the piece. Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist and a leading member of the group known as Britartists or YBAs (Young British Artists).The work was a tent with the appliquéd names of, literally, everyone she had ever slept with, but not necessarily in the sexual sense. In 1997, her work Everyone I Have Ever Slept With 1963–1995, a tent appliquéd with the names of everyone the artist had ever shared a bed with was shown at Charles Saatchi's Sensation exhibition held at the Royal Academy in London. After being sold to Charles Saatchi, Emin frequently had people asking her to recreate the piece. Everyone I Have Ever Slept With 1963–1995 by Tracey Emin. Before Fame. Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist of Turkish Cypriot origin and a leading member of the group known as Britartists or YBAs (Young British Artists).The work was a tent with the appliquéd names of, literally, everyone she had ever slept with, but not … That was her inspiration for her next work, Everyone I Have Ever Slept With 1963-1995. Tracey Emin’s piece ‘Everyone I have ever slept with’ 1963-1995 reminds me of Sarah Lucas’ work as they have similar concepts based on feminist views. The result was her well-known work Everyone I Have Ever Slept With 1963-1995 (1995), which was a tent embroidered with the names of everyone with whom she had shared a bed, sexual or otherwise. That year, she personalized a tent with the names of everyone she had ever slept with. The title is often misinterpreted as … The name was scandalous, specially because the tent contained over 100 names… She had a negative experience as a student at the Royal College of Art, even thought she graduated with an MA in painting. Personal confessional artist associated with the Young British Artists movement. Her work, "Everyone I Have Ever Slept With 1963–1995," consisted of a list of names painted on a tent. Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", [1] was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist and a leading member of the group known as Britartists or YBAs (Young British Artists).The work was a tent with the appliquéd names of, literally, everyone she had ever slept with, but not necessarily in the … This artistic touch through words is a common theme throughout her work. Emin calls Everyone I Have Ever Slept With 1963–1995 "my tent" or "the tent" and considers it one of her two "seminal pieces", the other being My Bed; she has described both as "seminal, fantastic and amazing work".. Everyone I Have Ever Slept With 1963–1995 was a tent appliquéd with the 102 names of the people she had slept as of 1995. Though it met a tragic end, the life of Everyone I Have Ever Slept With 1963-1995 was a short and controversial one.